Deborah Lee Viacom International Media Networks V

first_imgDeborah LeeViacom International Media Networks (VIMN) and BET International are due to launch the BET channel as a 24-linear and multiscreen service in France next month.BET (Black Entertainment Television) will launch on November 17, offering content inspired by urban culture, music, fashion and society.VIMN said that the French launch will be a “360 degree, multiscreen rollout”, with non-linear services to be offered through VIMN’s key French affiliate partners including CanalSat, Numericable-SFR, Free and Bouygues Telecom.There will also be a dedicated website, a BET app featuring exclusive videos and BET social media accounts, with VIMN estimating that the launch will “significantly increase BET’s audience in France” and result in it reaching 17.6 million households.“We are excited to announce the launch of the BET channel in France. Globally, this launch will increase BET’s global reach to over 125 million households across North America, the Caribbean, the UK, Africa and France,” said Michael Armstrong, VIMN’s executive vice-president and general manager of international brand development.BET Networks chairman and CEO, Debra Lee, said: “We have worked diligently toward this day of bringing BET to France and are excited to deliver our authentic voice that reflects, respects and elevates the diversity of our audiences across the world.”last_img read more

The UK government has committed to retaining the c

first_imgThe UK government has committed to retaining the current Licence Fee model of financing the BBC for the coming 11-year Charter period, while pointing to a number of areas where a subscription model could be trialled, according to the White Paper on the future of the public broadcaster, published today.The government has said it will “modernize the current licence fee system to make it fairer” including closing the ‘iPlayer loophole’, introducing more flexible payment terms for lower income households and enabling the BBC to make its content portable so that UK licence fee payers can access iPlayer while travelling to other EU member states.The changes proposed by the government could include the ability to charge international viewers to watch iPlayer content through user verification.“The government thinks there is a case for iPlayer to require verification – i.e. access should be conditional upon verification of licence fee payment – so that individuals in other countries, and those in the UK not paying the fee, cannot access licence fee funded content for free. The government will discuss verification and other options with the BBC and look at the best way of implementing this, including through regulations if needed. It will be up to the BBC to determine whether this is an appropriate means of charging international viewers,” it said.While rejecting a subscription model , the government said it welcomed “the BBC’s commitment to develop and test some form of additional subscription services during the first part of the next Charter period, and to consider whether elements of subscription could provide a more sustainable funding model in the longer term”.It said subscription would be introduced “for additional services only”, adding that the “BBC may therefore lead further developments, pilots and exploration of elements of subscription in the second part of the Charter period, if justified and required, in order to inform the next Charter Review process and for potential wider roll-out in the next Charter.”The licence fee will be increased in live with inflation for five years from 2017-18.Other key measures in the White Paper, many leaked in advance of publication, include the creation of a unitary board to replace the BBC Governors and the BBC Trust. The BBC will be responsible for appointing “at least half” of the board members.The White Paper also calls for Ofcom to be made the external independent regulator for the BBC, while the National Audit Office will become the BBC’s financial auditor. The remuneration for BBC talent that is paid over £450,000 will be made public.The BBC Executive will set strategy and deliver services, while Ofcom will issue licences and regulator editorial standards as well as regulating commercial activity and market impact and will monitor and review performance.The BBC Trust welcomed the proposals but expressed concern “that in some areas the Government’s proposals to protect the BBC’s independence do not go far enough”. It said it was crucial that the new board should be independent. It said that the chairman and deputy chairman should be appointed by the Government through an independent public appointments process.“This White Paper delivers a mandate for the strong, creative BBC the public believe in,” said BBC director general Tony Hall. A BBC that will be good for the creative industries – and most importantly of all, for Britain.“There has been a big debate about the future of the BBC. Searching questions have been asked about its role and its place in the UK. That’s right and healthy, and I welcome that debate.“At the end, we have an eleven-year Charter, a licence fee guaranteed for eleven years, and an endorsement of the scale and scope of what the BBC does today. The White Paper reaffirms our mission to inform, educate and entertain all audiences on television, on radio and online.”However, the BBC said it is concerned over the plan to increase the NAO’s powers, and how the new unitary board will be formed. The government’s paper suggests 50% of this would be appointed by the broadcaster, with six appointed by politicians.“We recognise that the government has moved, but we need to debate these issues to ensure the arrangements for the board achieve the correct balance of independence, public oversight and operational effectiveness. We believe there is more than enough time to get this right, and we will continue to discuss this with the Government,” said BBC Trust chairman Rona Fairhead.The NAO replied with a statement, stating: “The NAO has been auditing the BBC for a decade and this proposal would simply mean an extension of our existing work to audit the annual report and accounts and subject the Corporation to greater scrutiny – like any other public body. The BBC on a number of occasions has acknowledged the benefits of our work to shine a light on where it can improve its value for money.”Whittingdale opponents such as Armando Iannucci welcomed the paper, with the Thick of It creator tweeting: “Let’s never go through again 10 or so months of uncertainty and anti-BBC tone that damaged the best TV industry in the world.”last_img read more

University of Toronto to create 3D printed prosthetic limbs for Ugandans

first_imgAdvertisement A  laboratory at the University of Toronto is partnering with an international NGO and a Ugandan hospital to use 3-D scanning and printing to speed the process of creating and fitting sockets for artificial limbs.While 3-D printing has been around for some time, a new generation of fast, cheap 3-D printers offers up a world of possibilities for highly customized limbs and products.Prostheses need to be customized to suit a recipient’s individual physiology. – Advertisement – Traditional assessing and fitting procedures take many days or weeks, and require specialized knowledge of an on-site prosthetic technician.“The major issue with prosthetics in the developing world is not access to the materials of prosthetics; it is access to the expert knowledge required to form and create them,  laboratory” says Matt Ratto, a prof. in the Faculty of Information. laboratory.A 3-D scan of a Ugandan’s residual limb can be sent within seconds to another part of the world where a prosthetist can digitally design a replacement, sending that file back to Africa to be printed. Printers are increasingly sophisticated, capable of using a wide range of resins and polymers to create 3-D objects.The brings about the capacity to make a prosthesis in less than 24 hrs.“The underserved population is largely rural,” said ginger coons (who spells her name in lower-case), a PhD student in Ratto’s laboratory. “People have to come to the hospital. Not many can afford the long stay. We want to make their stay a lot shorter.”Ratto and coons hope that what they learn from the Uganda project will help them develop similar solutions in other parts of the world.This raises questions that are central to Ratto’s research and the Critical Making Lab he directs at U of T: Who owns the scan of the patient’s body and the digital model of the prosthesis? How can a patient control medical information about their person once it has been digitized? How much of an issue is it if the skilled parts of the job happen somewhere other than Uganda?For Ratto, this project exemplifies exactly what critical making—understanding new technologies through first-person experiences of creating things with them—is best at.“As a society, we’ve developed practices that are different digitally and physically,” Ratto says. “But we are starting to lose the separation. Digital and physical modes are getting entangled. That’s something that needs to be thought about. The prosthetics project is an example of how to explore these ideas.”Source: rdmaglast_img read more